《亡者之臉》,  Reversing the Bombardment, 2024​

【個展】

依場地而定 Dimensions variable

複合媒材 Mixed media

2024

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本計畫仿製日治時期日本「理蕃」戰爭中的七珊山砲，並且邀請泰雅族大豹群後裔的年輕人，重返1906年日本警察部隊砲擊泰雅族大豹社的山野，並且對著遙遠的飯店方向，也就是昔日被日本人佔領的部落位置射擊。本計畫以略帶遊戲與反諷的方式進行，反轉殖民者的侵略行動。

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The art project Reversing the Bombardment begins by reproducing a 7mm mountain cannon once used in Japan’s “colonial indigenous governance” campaigns. It then invites young descendants of the Atayal Topa group to return to the mountainous terrain where, in 1906, Japanese police forces bombarded their ancestral village. In a symbolic and performative gesture, participants fire the replica cannon toward a modern hotel—now standing on the very site of the former village. Infused with playfulness and irony, the project aims to invert the colonial act of aggression.​​