《我以為那是我最後一次所見》,  Reversing the Bombardment, 2025​

【台灣雙年展】

依場地而定 Dimensions variable

空間裝置、光影、超八釐米影片  Mixed media

2025

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僥倖逃出火海的逃亡者，在所有的村民都被殺了以後，沿著崎嶇的山路死命逃出。他以為他要死了，眼前的一切快速運轉，山野記憶與屠村事件合併，影像以全景場視的方式展開，不分當下與過去。通過黑暗的隧道，遠方洋溢著光……

本計畫從臨終視覺（visions of near-death）的角度出發，透過日治時期（1898 年）高雄惡地山區「番仔清庄」屠村事件的口述與出版計畫做為基礎。以戰火逃亡者的事蹟作為線索，經由事件後裔的共創、光影裝置、書寫與膠卷電影等。探討戰火與災難事件中，瀕死之人難以再現的視覺與感知，包含了記憶的交疊、模糊與重生的幻境，重新省思戰爭對於當代人的意義。

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The art project Reversing the Bombardment begins by reproducing a 7mm mountain cannon once used in Japan’s “colonial indigenous governance” campaigns. It then invites young descendants of the Atayal Topa group to return to the mountainous terrain where, in 1906, Japanese police forces bombarded their ancestral village. In a symbolic and performative gesture, participants fire the replica cannon toward a modern hotel—now standing on the very site of the former village. Infused with playfulness and irony, the project aims to invert the colonial act of aggression.​​